I just gave an inaugeral. The most terrifying and life affirming thing I’ve ever done at work. It was a room full of amazing people – I was blessed to have four generations of my family there and loved the opportunity to make my 89 year old mum and my 7 year old grandson all swear in unison.
There’s a recording coming at some point, but there are some things that I really want to share, in a written form, for those who might not be interested in the main body of the talk itself, but might be facing similar questions in their negotiation with the academic structures around us.
How the fuck are we going to get through this shitstorm, intact, together, and without throwing each other under the bus? Who has got our back? and what can we learn from those who have negotiated the faultlines of the shitstorm before us?
Continue reading Claire, Hester, this one’s for you….
The single is dead, so why is the charity single still going? There are so many other ways of soliciting donations to charity; by text, by paypal, by cash point. It seems anachronistic to return to the charity single model, where musicians donate their labour in exchange for a financial donation from consumers . Yet time and again it is the default response that marks the significance of an event.
Each time a new charity single comes out it makes me think about what is at stake – what problems are being responded to? what solutions are being offered? Who is helping whom and why?
Continue reading Yeah, I don’t know where to begin so I’ll start by saying I refuse to forget you
Over the last few months a new feminist project has been occupying a small group of feminist historians at the University of Sussex. #MorethanAssistants is inspired by the history of feminist interventions in Historical practice.
We are concerned with
- The burden of responsibility on those few female figures who manage to earn a space in the public realm.
- The disproportionate shaming of young women for unruly behaviour.
- The power of playful, messy, feminism.
- The importance of carrying our sisterhood with us, whether physically, virtually or emotionally
- The power of being in the wrong place.
You can hear more about the assistants on this PRBH radio interview from 1.07 to 1.31
Continue reading #MoreThanAssistants: Smashing Patriarchy one Doll at a Time
An assault on an all female band by a member of security staff at this weekend’s Undercover punk festival in Brighton has brought the online mansplainers and slut shamers out of the woodwork. It also raised some issues that need to be resolved, some feel new, some are as old as punk itself. Can women make a new space in a scene and politicize it from within ? Is there ever a way to reconcile the punk politics of the past, and the intersectional politics of the present? Can we actively build a politics where race, gender, age and subcultural identity intersect ?– the answer, it seems to me, to all of these questions is the same; not really, no. Continue reading Your punk politics will be privileged, or it will be bullshit
On 19th November I stood in the Latest Music Bar Brighton and read out bits of my teenage diary from the year 1984-1985. The event, ‘Cringe at Mass Observation‘ was jointly organised by Cringe and Mass Observation as part of ‘Being Human: The Festival of Humanities’. London Cringe organise events where “Funny ‘grown-ups’ read aloud from their teenage diaries”. It’s a model that was picked up from New York and spread from there. Fiona Courage and Jessica Scantlebury from Mass Observation had been to one of the events and had immediately recognised Cringe’s resonance with Mass Observation writers who also share their private experiences and analysis for public consumption.
You can hear a bit more about Cringe, where it came from and the Brighton event on a podcast of an interview myself and Cringe organiser Ana McGloughlin did for Radio Reverb with Melita Dennett. (at about 22 minutes in)
Continue reading Cringe, in more ways than one, (but don’t tell my Mum)
I was going to write a blog about Twitter, and voice and collectively generated knowledge, but this came out instead. It is a starting point, for thinking through #beforethedrugsrunout
Continue reading Things are messy: Be Careful What You Wish For
When we began the Brighton hub of Wellcome’s sexology and Song-writing project we imagined that the young women involved would undertake some sort of original research and then write songs about it. It quickly became clear that the young women participants and the youth work and music practitioners had some different priorities. The practitioners wanted to concentrate on building a secure and supportive environment in which to build a collective group identity, and the young women wanted to sing songs that they already knew and liked. The young sexology song-writers didn’t want to write songs. They wanted to cover and recover them. Once we recognised that the priorities of the practitioners and of the young women needed to be our priorities too, we moved towards their goals. We weren’t training them to be researchers. They were training us in their modes of re-enactment: an active and creative intervention in a cultural circuit that brought together the legitimacy of publicly celebrated singer-songwriters, with their own experiences and voices.
Continue reading How many historians does it take to start a cover band?
I’ve spent a lot of the last five years living with One Direction. For a while, most conversations with my daughter involved The Boys in some way and a life size Harry Styles greets you from the front window of my house.
The Boys have even joined us on a picket line. They opened up the chance for me to work academically with one of my favourite people in the world, documentary maker Daisy Asquith who made the Channel 4 documentary Crazy About One Direction. Between the two of them my daughter and Daisy have helped me connect my feminism with my love of fandoms.
I have a lot to thank The Boys for.
Continue reading #RIPZayn2K15 Thoughts on being The Hot One
I’ve been involved in the Brighton Hub of ‘Sexology and Songwriting’, a collaborative project that brings together academic researchers with songwriters and young people. The workshops are attached to to Wellcome Collection’s sexology exhibition and inspired by the National Survey of Sexual Attitudes and Lifestyles (NATSAL III). We got some additional funding from the Amy Winehouse Foundation. The aim of the project is for the young people involved to become active researchers and song-writers, disseminating their research in the form of their own songs, performed locally and potentially included in recorded form at the Sexology exhibition in February 2015. The workshops are based at the Brighton Youth Centre and in the performances will be developed collaboration with Brighton Dome.
Continue reading Top 5 Songs about Sex
This post was a response to a number of conversations, conferences and social situations which have turned into something of an obsession – just why are people so sniffy about music that girls like?
Continue reading BUYING TEA TOWELS IS NOT ENOUGH IN DAYS LIKE THESE