Doctoral researcher Laura Cofield and I have just returned from a research trip to New York in order to scope the Riot Grrrl Archive in the Fales Library. There are hundreds of different zines in the archive across 18 individual collections that cover the years 1974-2003. The trip was funded by the Santander Mobility Fund and set up by Simone Robinson, Tracey Wallace and Paul Roberts from the Doctoral School at Sussex.
Laura’s in the first year of her doctoral research looking at the c20th and c21st history of pubic hair removal as a way into women’s experience of their bodies and the relationship between pornography and feminism. Laura and I were totally inspired by our visit. Everyone was incredibly helpful, going out of their way to help us, from Anthony on the desk at Gem hotel Soho who filled us in on a quick history of the queer politics of Wonder Woman, to Campbell the security guard at Fales who not only recommended where we should get lunch, he rang ahead and made sure we would get in, to Marvin Taylor the Fales Archivist who shared his prize acquisition of a set of homoerotic photographs from 1905 with us. But to top it all off Steve Haugh was our Angel of New York and toured us round Manhattan in his beautiful Jag.
Continue reading Archive Grrrls: Scoping the Fales Library, NY
There seems to be a lot of anarcho-punk knocking around historians. There have been a number of academic conferences and events around the politics and aesthetics of anarcho-punk, increasing numbers of academic publications, online resources, documentaries, homages, and the contemporary legacies of anarcho-punk seem to be woven through today’s Occupy and UnCut activism. These historical connections are often but not always embodied in the collectively organised band Crass. This year’s documents released by the National Archives included revelations of the government response to a hoax by Crass who faked and recorded a phone conversation between Thatcher and Reagan about strategy in the Falklands War. The hoax was momentarily thought to be the work of Argentine security services. In a context where there was little formal opposition to the Falklands War the hoax raises interesting questions for historians who are concerned with the limits of subcultural, countercultural or wider popular cultural production as a form of resistance. When the State responded to a countercultural prank as if it was part of their cold war security forces’ stalemate manoeuvres, then academic arguments about the extent to which culture is or isn’t related to ‘real politics’ don’t seem as abstract anymore. The way that anarcho-punk helps us slip through the cracks of the argument about whether subcultures are or aren’t really political seems to have some real purchase at the moment. Continue reading DUNSTAN BRUCE, AND WHY IS HISTORY SO UP FOR ANARCHO-PUNK?